The image shows a man in a head-and-shoulders portrait. He is slightly positioned to the right, facing forward. The man has a high forehead, slightly furrowed brow, deep-set eyes, and light, thin hair styled back. He is wearing a collared garment with a high white neckcloth tied around his neck. The background is simple and neutral-toned.

Medium

black, white, and red chalk on gray wove paper

Type

Drawing

Group terms

portrait; male

The image is a portrait of an elderly woman shown from the shoulders up. She is facing the viewer with a neutral expression. She has light-colored hair mostly covered by a white bonnet tied under her chin. The woman wears a light-colored garment around her shoulders and neck. The background is soft and neutral, providing no context.

Medium

black, white, and red chalk on gray wove paper

Type

Drawing

Group terms

portrait; female

Shown from the waist up, a pale-skinned woman wearing a satin or silk shell-pink gown and a greenish-yellow cloak looks at us, slightly smiling, through an oval opening in this vertical portrait painting. Her shoulders angle slightly to our left, and her oval-shaped face turns slightly to the right. She cuts her dark gray eyes cut to the side to look at us from under arched brows. Her nose drops a little at the end, and her thin, pink lips are closed. Her dark brown hair is pulled up and woven with dark pearls reaching back from the temples. Curls fall down her back, and one rests over her left shoulder, to our right. The tightly fitting bodice has low curved neckline lined with lace. Short sleeves embellished with pewter-gray buttons or bosses overlap longer white sleeves. The bodice is open down the front to show the white undergarment and is tied with two pale yellow bows, one over the other. The cloak falls heavily in deep folds from her shoulders and is held in place with a strip of fabric lined at intervals with pairs of dark silver beads. The ribbon is affixed to the cloak with a red brooch at the woman’s right shoulder, to our left, and it stretches down and across her body. She stands in front of a dark blue, cloudy sky. The painted frame through which she looks is camel brown. The artist signed the front-facing, beveled edge of the oval frame: “I.S. Copley. Pinx. 1756.”

Date

1756

Medium

oil on canvas

Type

Painting

Group terms

portrait; female

The image shows a pencil sketch of draped fabric with various folds and creases. The color palette is monochromatic with shades of gray and charcoal on a neutral background. The fabric cascades from the top right to the bottom left, creating shadows and highlights.

Date

c. 1758

Medium

graphite and white chalk on gray-brown laid paper

Type

Drawing

Group terms

figure; group

This is a drawing of a baptism in a river. The image shows two figures standing in the water, surrounded by the text "Jordan." Above them, beams of light emanate from the sky, where a dove-like figure appears amidst radiant rays. In the sky, clouds are populated by angelic beings looking upon the scene. The landscape includes trees and buildings along the riverbank. An inscription states, "He is my beloved Son - hear ye him." On the opposite bank, a group of figures stands observing the event. At the bottom, the text reads "BURIED WITH HIM BY BAPTISM." The drawing features intricate line work and shading.

Date

c. 1765

Medium

engraving on laid paper

Type

Print

Group terms

genre; religion

Shown from the knees up, and older, clean-shaven, pale-skinned man rests one elbow on a broken column in this vertical portrait painting. He rests on his right elbow, on our left, so his body creates a diagonal from the lower right to the top center of the composition. He looks at us with clear blue eyes under low brows. His fleshy cheeks are lightly flushed. Wrinkles line his mouth, which is closed in a slight smile. He has jowls and a double chin, and his face is marked with few flesh-colored bumps near his mouth and under one eye. Thick, white hair is brushed back from his forehead, and shoulder-length curls frame his wide face. His is lit from our left so the far side of his face is largely in shadow except for that eye. A strip of bright white fabric encircles his neck above the collar of his long, steel-gray coat. Only the bottom half of the buttons down the front are fastened. White ruffles line his wrists. A glimpse of a golden yellow garment and dark trousers are visible where the coat splits near the bottom of the painting. His left hand, to our right, is thrust into that coat pocket. The other elbow rests on the light brown stone column base on a tall pedestal, and he touches his midsection with those fingers. The left half of the background is dark brown and the right half opens onto a green tree silhouetted against a hazy-pink and aquamarine-blue sky.

Date

c. 1760

Medium

oil on canvas

Type

Painting

Group terms

portrait; male

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting. The woman’s body faces us, but she turns her head slightly to our left as she looks at us with dark brown eyes. Her skin is pale, nearly the color white, and she has rosy cheeks. She has an oval face, a long, thin nose, the suggestion of a double chin, and her peach-colored lips are closed. Her brown hair is pulled back under a lacy cap, and she wears dime-sized sapphire earrings rimmed with gleaming silver or diamonds. A pendant with three round sapphires and a larger, teardrop-shaped gem hangs from a choker made of thumbprint-sized sapphires. The edges of a white bow, presumably tying her hair, curl to either side of her neck. Her tight-fitting bodice has a square, lace-edged neckline and white ribbons tied down the front. Long, lacy cuffs fall from elbow-length sleeves, and the full skirt falls in vertical folds from the cinched waist. The teal fabric has a sheen, suggesting silk or satin. A pink rose as well as white, yellow, orange, and blue flowers are tied to a pink ribbon to create a garland, which she holds with both hands. Tan-colored stone columns lining the painting to either side behind her are connected by a balustrade, all of which frames a view out to a tall, light green tree and a blue sky touched with pink along the horizon. A coral-pink curtain hangs in the top right corner.

Date

c. 1763

Medium

oil on canvas

Type

Painting

Group terms

portrait; female

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers. She is wearing a multi-colored dress with voluminous sleeves, a wide neckline, and a sheer golden scarf. The woman is sitting and holding a hooked staff in one hand and a thin ribbon in the other. Behind her is a landscape background with a large tree on the left and a cloudy sky on the right.

Date

c. 1764

Medium

oil on canvas

Type

Painting

Group terms

portrait; female

Date

1864

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1863

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1865

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1863

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1865

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1865

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

The image shows a full-length portrait of a man within an ornate decorative border. The man is in a three-quarter pose, facing slightly right with one hand on a table. He has a mustache and goatee, medium-length curled hair, and wears a detailed robe with a fur collar and patterns. He also wears a ruffled collar and holds gloves in his right hand, with a hat on the table next to him. The background has a simple wall pattern, and the portrait is enclosed within a highly detailed floral-patterned frame with swirling embellishments. The engraving appears aged.

Medium

engraving

Type

Print

The image shows an engraved portrait of a man from about the knees up. He is depicted standing with his body slightly turned to one side, one arm resting on a ledge, and the other hand holding a hat. The man has a well-defined mustache and goatee, with medium-length hair styled away from his face. He is wearing elaborate historical fashion, including a richly decorated garment, fur-trimmed cloak, and an ornate ruff around his neck. The image features detailed engravings of architectural elements in the background, possibly representing an interior space. The portrait is enclosed in a decorative frame within the print itself. The background is plain, with the title "LORD BACON'S ESSAYS" above the portrait and publication details at the bottom. The print shows signs of aging or staining.

Medium

etching

Type

Print

Date

1863

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1865

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

Date

1865

Medium

albumen silver print

Type

Photograph

Group terms

military; Civil War

This is a painting of birds on a branch. The image depicts three birds: a large bird with vibrant blue plumage and a dark crest perched on a branch, and two smaller birds standing on the ground. The bird on the left has a speckled brown and white pattern, while the one on the right has a black and white face with a reddish-brown neck. The branch also has green leaves with detailed texture.

Medium

color etching

Type

Print

Group terms

plant; animal; bird

Shown from the waist up, a pale-skinned woman looking slightly up and to our left is drawn on now-yellowed paper in this vertical portrait. Her shoulders angle to our left and she looks steadily in that direction with light brown eyes under low, thin brows. Her short nose is wide at the top, and her thin, peach-colored lips are closed. Her brown hair is parted down the middle and pulled back under a white bonnet with a blue stripe. A small pink flower is tucked behind the ear facing us. A lacy cravat or kerchief lies high on her neck and is fastened with a brooch at her throat. Her tightly fitting bodice is shaded with pale blue, and a shell-pink shawl drapes over her left shoulder, to our right. The smooth skin and contours of her face are drawn in detail, and the remaining areas, including a ledge, clock, and curtain behind her, are loosely sketched. A signature in the lower right corner reads, “Thos Sully.”

Medium

pen and brown ink and colored crayon on wove paper

Type

Drawing

Group terms

portrait; female

The image is a pencil sketch showing an upper half view of a person facing slightly to the right. The person has short, wavy hair, distinct eyes, and a composed mouth. They are wearing a high-collared garment buttoned down the front. There are no visible jewelry or objects. The background is a plain sketch pad with textured lines near the person. The artist's signature, "Thos Sully," is visible at the bottom of the sketch.

Medium

pen and brown ink and red crayon on brown wove paper

Type

Drawing

Group terms

portrait; male

The image shows a landscape with a river bending into the distance. Trees line the horizon. The drawing is detailed with fine lines, depicting foliage and ripples in the river. It is monochrome with black lines on a light background. In the foreground, there are foliage and grass, while figures or animals can be seen in the water in the distance.

Medium

etching

Type

Print

The image shows a landscape with a distant horizon under a sky painted in soft tones of beige and grey. Smooth brushstrokes create transitions between elements. In the foreground, a man stands next to a child on rocky terrain, flanked by trees with autumnal leaves. A clearing leads to a line of trees in the background, blending into misty surroundings. The color palette is earthy and muted, with browns, greens, and grey-blues.

Date

19th century

Medium

watercolor and gouache with pen and black ink over graphite on wove paper mounted to wove paper

Type

Drawing

Group terms

landscape; Catskills

The image features a baby lying on a cushioned surface. The baby is on its back with its head turned slightly to the side. The facial features are gentle, with wide eyes, a small nose, and an open mouth. The baby's hair is sparse. The baby is wrapped in a light fabric, likely a blanket or garment, covering the lower body. The shoulders and arms are exposed. The baby rests on soft bedding or a cushion. There is no jewelry or objects in the baby's hands. The background is a plain, light-colored surface, with some age-related marks. In the lower right corner, there is a handwritten note with words such as "little angel" and a poetic line. The focus is on the delicate depiction of the infant.

Date

19th century

Medium

graphite on wove paper

Type

Drawing

Group terms

death; portrait; child

The image shows two individuals depicted from head to toe. One person is kneeling and supporting the other person who leans back against them. The kneeling person has short windswept hair and defined facial features, wearing a tunic with long sleeves and a skirt-like lower garment. The person being supported has closely cropped hair and a relaxed appearance, wearing a form-fitting outfit with visible creases and folds. They are seated on the ground with one leg extended forward and the other bent at the knee. The background is plain and unadorned, focusing on the two figures.

Medium

pen and ink over graphite

Type

Drawing

Group terms

Realist figure; group

The image shows a sketch of a man's face, neck, and shoulders. The man is facing slightly to the right with a moustache and a contemplative expression. The hair is drawn with minimal detail. The clothing is suggested with simple lines indicating a collar. The sketch is on worn paper with creases, tears, and a stamp impression in the upper right corner.

Medium

graphite and black crayon on paperboard

Type

Drawing

Group terms

Realist portrait; male

The image is a sketch of a person's head and shoulders. The individual is positioned slightly to their left, with their face angled in that direction. The facial features are drawn with simple lines, including eyes, a mustache, and a full face, with short hair or a closely shaved head outlined minimally. The person appears to be wearing a high-neck garment, possibly a coat or a jacket. There is no jewelry or objects being held visible in the sketch. The background is plain, with a few marks and smudges on the paper, including a faint circular stamp or embossed seal in the upper left corner.

Medium

graphite on paperboard

Type

Drawing

Group terms

Realist portrait; male

The image shows a head-and-shoulders portrait of a young man facing the viewer with a slight turn to his right. He has youthful facial features, smooth skin, straight eyebrows, and a small nose. His hair is neatly combed to the side, with a slight wave, reaching just above his ears. The man is wearing formal clothing, including a dark jacket, a high-collared white shirt, and a dark cravat or bow tie. The background is a plain, monochromatic surface.

Medium

black and white chalk

Type

Drawing

Group terms

Realist portrait; boy

The image features a man seated in a chair, shown in a side profile position with most of his body visible and legs crossed. His left hand rests on his knee while his right arm is bent with a fist. The man has defined facial features, a beard, sideburns, and curly, combed-back hair. He is dressed in a suit with a vest and tie and holds a top hat in his left hand. The background is plain. The initials "N.D." are written in the bottom right corner.

Medium

graphite on brown wove paper

Type

Drawing

Group terms

Realist portrait; male

The image is a head-and-shoulders portrait of a man depicted in an artistic rendering. He is positioned facing slightly toward the left but gazes directly at the viewer. The man has a soft expression with slightly drooping eyelids, a straight nose, and full lips. His hair appears medium length, dark, and somewhat wavy, framing his face. He is wearing a formal dark coat with a white collared shirt and a black necktie or cravat. There are no visible pieces of jewelry, and he is not holding any objects. The background is a plain, light color.

Date

c. 1842

Medium

charcoal and graphite with white chalk on wove paper

Type

Drawing

Group terms

portrait

The image shows a portrait of a woman seated, facing slightly to the right and looking directly at the viewer. She has a round face with dark hair styled under a white bonnet. She is wearing a dark garment with a white lace collar and a light-colored bow fastened with a brooch around her neck. The background is a simple, shaded area that gradually fades into the neutral tone of the paper.

Date

early 1840s

Medium

black crayon and graphite heightened with white on green wove paper

Type

Drawing

Group terms

Realist portrait; female

The image shows sketched figures and abstract shapes and lines. On the left are outlines of a head, torso, and hands. On the right is a detailed drawing of a large figure embracing another. Below is text that reads "EVE WE LIKE THEM FAT."

Medium

graphite on wove paper

Type

Drawing

Group terms

Realist caricature

The image is a pencil sketch depicting a group of people, mainly of their upper bodies and heads. The individuals are illustrated in a variety of positions, some facing forward, others in profile, and some slightly turned to the side. The facial features are simple and somewhat exaggerated, with distinct outlines and details. There is a woman with a voluminous updo and a man with a prominent mustache, while another figure is wearing round glasses. The clothing appears minimalistic but suggests formal attire for some, with collared shirts and what might resemble a dress with ruffles. Several figures have accessories, such as hats. The background is plain.

Medium

graphite on wove paper

Type

Drawing

Group terms

Realist figure

The image depicts the upper body of three individuals. The central figure is detailed, facing forward with distinctive facial features and short, dark hair. They wear earrings and a garment with thin straps. The person on the left has a bun-like hairstyle and outline of clothing on the shoulders. The person on the right is minimally sketched with basic features. The sketch is done in pencil on a plain background with visible texture.

Medium

graphite on wove paper

Type

Drawing

Group terms

Realist figure; female

Date

c. 1906

Medium

oil on wood

Type

Painting

Group terms

Modernist portrait; male and female

The image displays a series of overlapping lines and forms, with geometric shapes in the central portion resembling an elevated structure. The angular lines and rectangular forms may suggest a bridge or viaduct supported by vertical pillars. Vaguely defined figures below the structure hint at the presence of people or animals, with circular shapes potentially representing wheels or carts, alluding to a busy street or marketplace. The use of dark and muted colors emphasizes the abstract nature of the scene, conveying urban activity and movement.

Date

c. 1907

Medium

brush and ink, watercolor and colored crayon

Type

Drawing

Group terms

Realist architecture; exterior

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us. The platform of the boxing ring comes about a quarter of the way up the canvas so the boxers themselves nearly brush the top edge of the composition. The boxer on our left has pale, peach skin and wears light blue shorts. He curves to his side as he dips his head and right shoulder toward us in a defensive position, arms shielding his face. To our right and in the center of the composition, the opponent has an olive-toned complextion. He wears dark shorts and is shown in mid-punch with his left leg raised to step forward. His back curves like a comma as his right arm comes forward with the punch. Bright light, like a spotlight, illuminates the men from our left so even the right sides of their bodies are lost in shadow. The crowd around us is backlit but one grinning man turns to look over his shoulder at or beyond us. The arena across the boxing ring is also plunged into deep shadow, so only the faces in the first few rows are visible before being swallowed in darkness. In fact, the top third of the canvas behind the boxers is black. The faces of the men in the crowd across from us are loosely painted, sometimes with only a few strokes to capture features. Individual features are mostly obscured but one face near the center, between the legs of the attacking boxer, is split wide in an exaggerated grin. That man wears a white tuxedo shirt and black jacket, and raises both hands, as if ready to light a cigar.

Date

1907

Medium

oil on canvas

Type

Painting

Group terms

Realist genre; occupation

From a high vantage point, we look down ontp a group of dozens of boys who stand, sit, stretch, sprawl, or dangle their legs off a rough wooden pier that juts out from the lower left corner into a dark river in this horizonal painting. Their gangly bodies are loosely painted and brightly lit from the upper left. Most are nude, their skin tones ranging from cream white to medium brown. There are gaps between some of the planks of pier, and some of the boards hang off the sides, as if laid loosely across the supports beneath. One boy dives into the river near the center of the painting while another bends over to pull a boy back onto the pier. Several splash in the water near the right side of the painting. The river is emerald green near the brightly lit pier and becomes almost black across the upper half of the painting. An empty, small rowboat painted in stripes of white, white, and blue floats in the shadows along the top center edge of the canvas.

Date

1907

Medium

oil on canvas

Type

Painting

Group terms

Realist figure; nude; boys

A young, pale-skinned girl wearing a white dress stands against a darkened background in this vertical portrait painting. Her body faces our left in profile, and she clasps her hands in front of her pelvis. Her face turns a bit to us, her chin pulled back so she looks at us with large, black eyes from under her brows. She has a delicate nose, pink lips, and a pointed chin. Her cinnamon-brown hair is pulled halfway up, away from her forehead, and falls down over her shoulders. Her dress has a high collar, a loose bodice, and long sleeves. It is cinched at the waist and falls like a bell to just below her knees. She wears black stockings and shoes. The room in which she stands has a brown floor, and the wall behind her is forest green. The portrait is loosely painted so brushstrokes are visible, especially in the girl’s face and dress.

Date

1907

Medium

oil on canvas

Type

Painting

Group terms

Realist portrait; girl