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Sarah Hope Harvey Trumbull

SARAH HOPE HARVEY TRUMBULL- PRIVATE PORTRAITURE IN A PUBLIC WORLD

Portraits made in the past are open to interpretation in the future. Without the artist giving background information, the viewer provides the historical account. Trumbull’s paintings of Harvey challenge this rule, however. He painted her not just as a record of her life, but there seems to be a deeper reason. He did not need…

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TRUMBULL’S EARLY AMERICAN PORTRAITURE

To restart his career in New York, Trumbull concentrated on portraits which were an easy source of revenue. Always haughty, Trumbull had mixed feelings about this easily earned source of income. Trumbull spending his time on portraits felt painfully beneath him. Trumbull once told Jefferson that he believed portraiture was “frivolous, little useful to society…

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COL. JOHN TRUMBULL & HIS PORTRAITURE OF SARAH HOPE HARVEY TRUMBULL

Through his portraits of Sarah Hope Harvey Trumbull, Col. John Trumbull advanced beyond his monumental history paintings to explore intimacy and early American identity that revealed how their personal relationship shaped a softer, more private dimension of Trumbull and early American portraiture. Though often overshadowed by her husband’s fame as the “Painter of the American…

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SARAH HOPE HARVEY TRUMBULL NUDES- EARLY 19TH CENTURY

In the collection given to Yale University for the Trumbull Museum, there is a set of nude sketches in a folder. These are important by themselves because they make Trumbull the first known American practitioner of an academic life study. Three of these nude sketches appear to show Mrs. Trumbull reclined in poses for Trumbull…

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